But, lucky us, it turned out to be a perfect time to be in Madrid. It’s quiet, the temperatures are hitting lows 80’s°F in the days and down to a comfortable mid 60s F° at night. And the city is empty. Nothing can keep the Madrilenos from their holidays at the beach; not soaring heat, not blackouts, not voles, not even Jellyfish. Spain is the fastest growing country in Western Europe. After 35 years of Franco’s economic depression, this country came charging out of the gate like a ferocious bull. You can’t look up without seeing a giant construction crane over any city or town. We’re back at the Hotel Urban, an architecturally modern hotel a few blocks from everywhere we like to be, the Plaza Mayor, Puerta del Sol, the Prado Museum, and the great cafes, restaurants and tapas bars around the Plaza Santa Ana. In 1994, we stayed in the middle of Plaza Santa Ana, at the Reina Victoria Hotel. We heard that all the hotels named after Queen Victoria (built during her reign) were built when the Queen announced she would be coming for a visit. Usually the intention was announced long enough in advance to built a stately hotel. We have no idea if Queen Victoria did ever stayed in this hotel, but we did know it used to be a favorite haunt of Ernest Hemmingway and Manolete, perhaps the most famous bullfighter in the history of Spain. When we were here, the lobby was still filled with old 1940’s photos of the Great Manolete. There were even a couple of heads of the bulls that fell to the “estocata” (thrust) of Manolete’s sword. On the other hand, the Hotel Urban is wonderful and highly recommended, especially during the off season when it’s affordable. The rooms here are spacious, well designed and very clever. It’s one of those hotels you go around saying, “wow, look at this: for a least the first 5 minutes after you check in. It’s much different from staying at a modern hotel in the US, or anywhere else we’ve been for that matter. But enough of modern Spain. Let’s go back to the 16th century. At the center of the square is Juan de Bolonia’s 1616 bronze statue of King Felipe III (see above, it's the 1st photo at the top). A Madrileno friend of ours told us that the horse was originally constructed with an open mouth but during a statue cleaning, workers discovered that pigeons entered the mouth and nested in the horse’s belly. The ones that couldn’t find there way out remained as a pile of little pigeon bodies. And so the horse (and King) was removed, the pigeon remains cleaned out and it was restored to the square, this time with the mouth closed. King Felipe III is posed on the horse with one leg raised. According to statue symbolism, if the horse has one leg lifted it means the rider suffered injuries in battle but lived through the battle and died later from the wound. Both legs reared up in the air means the rider died in battle. Both legs on the ground mean he died a peaceful, natural death. Actually, Felipe III never had a wound from a battle. I don’t think he ever went into battle. He was a King in name only and left the ruling of the country to his subservient advisors. On our way back to the Hotel Urban a young American stopped us. Waving his hands frantically he asked, “do you speak English”? When we said yes, he cupped his face and looked up saying “thank god”. He looked a little too ratty to be a typical tourist but then, the first thing he said to us was, “look, I’m not an indigent.” He went on to tell a very convincing story about how his wallet and passport were stolen and the US Embassy was closed today. According to the story, the Embassy would open tomorrow and he just needed 3 euros to get a passport. “I will be on the Delta flight back to Seattle tomorrow,” he insisted. We only had 2 days in Madrid this time, but after being here so many time, 2 days was actually enough. One day to walk around the old quarters and one day for museums. The Royalty of Spain is a mélange of pedigrees. The current King Juan Carlos I is descended from Queen Victoria of England, Louis XIV of France and Charles V, the Hapsburg Holy Roman Emperor, who himself was the grandson of Queen Isabella and King Ferdinand, the two who expelled the Moors and started the Inquisition and gave money to Columbus so he could find more wealth to support their reign of terror. Charles V also suffered from an enlarged lower jaw, a deformity known as the Hapsburg chin or Hapsburg lip. Apparently, the deformity was so bad he couldn’t chew his food properly and consequently he usually ate alone. By the time Felipe IV came along, the Hapsburg chin reached it largest proportion (you can see some of Velasquez’s great portraits of him in the Prado). Felipe IV also felt the Hapsburg dynasty was getting old and needed a transfusion so he married Isabelle of Bourbon and started the Bourbon bloodline. And which with the few exceptions of Napoleon’s conquest and the 35 years of Franco’s rule, they are still the ruling power. On July 17, 1936, a radio broadcast signaled the start of the Spanish Civil War with the announcement "Over all of Spain, the sky is clear". It was the call to arms that pitted the Republicans (liberal democrats, anarchists, socialists and landless peasants) against the Nationalists (Francisco Franco , the fascists, the Catholic church, the Monarchy and the wealthy). Hemmingway, Picasso, Lorca and George Orwell were a few of the republican supporters. Salvador Dali was a nationalist, which is probably why he was treated so well during Franco’s reign. By the time the war ended, the atrocities of both sides were astounding, some of them made the Auto de Fe’s of the 15th and 16th century look civilized. But in the end, “El Generalisimo” Franco outlasted the Republican revolution. The first thing Juan Carlos I did in office was issue sweeping democratic reforms. He even brought socialists and communists into the state offices. Boy did that piss off the old fascists. El Caudillo’s (Franco) bones moaned in his grave. On our last day, we spent the morning at the Prado, without question the best museum in Spain, and in our opinion, one of the best in the world. There are over 8600 paintings here, including the largest collection of Velazquez, Goya, Ribera and Hieronymous Bosch, who apparently was a favorite of King Felipe II. Bosch’s “The Garden of Earthly Delights”, that bizarre three panel journey from birth to damnation has been used in everything from 1960’s Rock and Roll album covers to Bart Simpson’s nightmares. But it’s here in the Prado because it used to hang in King Felipe II’s bedroom. Talk about weird dreams.. Even with just a short time there, we were able to pay our respects to the Velazquez rooms, including his masterpiece of Las Meninas, the portrait of the Infanta Margarita, The Infanta Margarita might be so young and beautiful in the portrait, but she had a pretty sad life. At 15 years old she was awarded and betrothed to Leopold I of Austria, a short, ugly man who’s inbreeding had giving him the worst disadvantage of the Hapsburg chin. At age 22 she died in childbirth. There is another portrait of her at age 15 by the artist Juan Bautista Martínez del Mazo. She looks like she just go the news of her marriage. Boy is she depressed. Diego Velázquez and King Felipe IV shared a very productive relationship. The king enjoyed the royal portraits and encouraged the painter to use his free time to explore his creativity, which might be why there are so many Velazquez paintings in the Prado Museum. It is said the king painted the honorary Cruz Roja (Red Cross) of the Orden de Santiago (Order of Santiago) on the breast of Velazquez as he appears in the painting of “Las Meninas”. Francisco José de Goya’s relationship with the Borbon family of Charles IV was much different. We have no idea how he got away with it but all of his portraits make them look really idiotic. Who knows, maybe they were idiotic and liked the look. Afterall this is the King that lost the Spanish fleet at Trafalgar and the Spanish Throne to Napoleon. After contracting a high fever in 1792 Francisco Goya became deaf, withdrawn and introspective. And after a brief return to his position as court painter for Ferdinand VII, he sank further into the abyss and left for France. From 1819-1823 he lived in Bordeaux France, painting his darkest work directly onto the walls of his house, some say using only candles for light. Jose de Ribera, the third of my favorite Spanish painter, was Spain’s finest Tenebrist, using contrasts of light and dark to make figures look as if they were emerging from the dark. Caravaggio had mastered this style in Italy around the same time and Ribera was definitely a big fan of Caravaggio. It’s all over his work. There is so (so so so so) much more to see at the Prado, but if you only have an hour or so, check out the great Spanish painters Velasquez, Goya and Ribera. As for us, we picked up our rental car and headed south to Andalucia, the heart and soul of Moorish Spain. |